Audition information can be found on the Ensemble & Studio Placement Auditions webpage.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
9:00–11:00 a.m.
All new and returning Music GEs are required to attend the meeting. Featuring introductions from select SOMD staff and a visit from the GTFF.
1:00–3:00 p.m.
All new graduate students who will be a Graduate Employee assigned to teach in the Keyboard Lab (FMB 111) during the 2026-27 Academic Year are required to attend the meeting. Returning Graduate students who previously held GEs in AY 25-26 and who taught in the Keyboard Lab are not required to attend.
This orientation will cover the "house rules" required for this specialized classroom and the technology within.
1:00–3:00 p.m.
All new and returning students who have a GE in Secondary Piano and/or will be working as an instructor for CMI's Suzuki Piano Program during the 2026-27 academic year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–2:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
9:00–11:00 a.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
1:00–2:00 p.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
For Aural Skills, students will attend an in-person Dictation exam, followed by individual appointments for the Sight-Singing exam.
2:00–4:00 p.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
For Aural Skills, students will attend an in-person Dictation exam, followed by individual appointments for the Sight-Singing exam.
All new graduate students in Jazz Music are required to attend the meeting.
4:00–5:00 p.m.
All new graduate students in Jazz Music are required to attend the meeting.
2:00–3:30 p.m.
For Master’s Students in Music Performance, Jazz Studies, Conducting, and Graduate Performance Certificate.
All incoming graduate students are required to attend their assigned Orientation & Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
10:00–11:30 a.m.
For Master’s Students in Musicology, Music Theory, Music Education, Music Composition, and Intermedia Music Technology.
All incoming graduate students are required to attend their assigned Orientation and Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
All new and returning graduate students in Music Education are required to attend the meeting, led by Music Education faculty.
1:00–2:00 p.m.
All new and returning graduate students in Music Education are required to attend the meeting, led by Music Education faculty.
2:00–3:30 p.m.
For Music Doctoral Students (PhD and DMA).
All incoming graduate students are required to attend their assigned Orientation and Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
3:00–5:00 p.m.
Required for all new incoming master's students in composition, and optional for undergraduates (to be determined during advising).
Access the Piano Proficiency study guide
The exam is offered by appointment only and held in person.
2026 SIGN UP LINK COMING SOON
To test out of Fall, Winter, and Spring sequences, student needs to demonstrate the following proficiencies:
1. Major scales: hands together in two octaves, systematic fingerings, all keys
2. Minor scales (harmonic & melodic): hands together in two octaves, systematic fingerings, all keys
3. Arpeggios: hands together in three octaves, systematic fingerings, all major and minor keys
4. Sight-reading: ability to sight-read excerpts comparable to the level of Anna Magdalena Bach Notebook or Bartok’s "For Children" Book 1, with 2 minutes of preparation
5. Repertoire (Baroque): a Baroque repertoire at early advance level or comparable.
a. Examples: JS Bach’s Two-Part Inventions or a dance movement of JS Bach’s French Suites
6. Repertoire (Classical): a first movement of a Classical sonatina at early advance level or comparable.
a. Examples: Clementi’s Sonatinas, Op. 36 Nos. 2 or 4, Kuhlau’s Sonatinas Op. 20 No. 1 or Op. 55 No. 3
7. Repertoire (Romantic or Contemporary): a Romantic or contemporary character piece at early advance level or comparable.
a. Examples: Schumann's Kinderszenen, Grieg's Lyric Pieces, Bartok's Mikrokosmos Volume 5, or A. Tcherepnin's Bagatelles Op. 5
If the exam is not passed, students must enroll in three consecutive terms of MUP 163: Functional Piano for Composers.