Wheelchair-accessible seating and assisted listening devices are available in Beall Concert Hall. If you have special seating needs, call 541-346-3811 at least 24 hours prior to the concert to make arrangements. Photography, videography, and recording of UO concerts and events without prior permission is prohibited. UO students majoring in dance or music, please review SOMD Student Ticket Policies. Tickets may be purchased online or by phone through the UO Ticket Office, 541-346-4363.
June 2026
10:00 a.m.
The dawn of a new day! Celebrate light, renewal, and the limitless potential of a fresh beginning. Framed by the serene beauty of Mount Angel Abbey, the OBF Chorus and Modern Orchestra weave Bach’s timeless genius with imaginative voices of 20th- and 21st-century composers, including James MacMillan, Lili Boulanger, and Dolly Parton. Join us for complimentary post-concert coffee and pastries!
J.S. Bach: Chorale: Wie schön leuchtet der Morgenstern MacMillan: O Radiant Dawn Parton (Arr. Johnson): Light of a Clear Blue Morning Woods: Golden Hour from Infinite Body L. Boulanger: Hymn to the Sun Kirchner: Songs of Ascent J.S. Bach (Arr. Rhodes): Wachet Auf, ruft uns die Stimme
OBF Chorus and OBF Modern Orchestra Augusta McKay Lodge, violin Jenny Wong, conductor
Artists, dates, times, repertoire, and venues are subject to change.
Help us kick off the 2026 festival in Eugene with music, merriment, treats, plus free OBF swag and Euphoria Chocolate! Festivities start at 6:30 pm.
6:30 p.m.
Help us kick off the 2026 festival in Eugene with music, merriment, treats, plus free OBF swag and Euphoria Chocolate! Festivities start at 6:30 pm.
7:30 p.m.
Pianist–composer Dan Tepfer reimagines fifteen of Bach’s Inventions—interwoven with nine of his own—as living works, unfolding in real time through improvisation and interplay. Experience the blending of Baroque clarity with jazz spontaneity, where structure sparks freedom, and invention becomes discovery. Each performance is both composition and experiment—honoring Bach’s ingenuity while boldly reinventing it for the present moment.
J.S. Bach/Tepfer: Inventions / Reinventions
Dan Tepfer, piano
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
1:30 p.m.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
Across generations, composers displaced by war, persecution, or political upheaval found refuge in the United States. A stirring program to showcase the power of art to survive and flourish through tumult, reinvention, and hope.
Martinů: Nonet No. 2 G. Mahler (Arr. Schoenberg): Songs of a Wayfarer Yousufi: Humanity – West Coast Premiere, OBF Co-commission Milhaud: The Creation of the World
UO Chamber Choir OBF Modern Orchestra Javier Arrey, baritone Natalia Ponomarchuk, conductor
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Before Telemann became one of the most prolific composers of the Baroque era, he was a young scholar expected to study law—much like countless students who arrive at college, still discovering where their true passions lie. Telemann’s bold decision to leave law and follow his musical calling resonates powerfully as the University of Oregon celebrates 150 years of curiosity, courage, and unexpected journeys. OBF honors Telemann’s audacious leap and UO’s century-and-a-half commitment to nurturing explorers, innovators, and occasional academic detours—performed in a community that encourages Ducks to chart their own course.
G.P. Telemann: Overture-Suite in E Minor G.P. Telemann: Concerto for Three Violins G.P. Telemann: Quartet in G Major G.P. Telemann: Overture-Suite in B-flat Major
Berwick Academy Orchestra
Artists, dates, times, repertoire, and venues are subject to change.
10:00 a.m.
“What is a Chickasaw Classical Composer?”
Jerod Impichchaachaaha' Tate is a dedicated American Indian classical composer and pianist who expresses his native culture in symphonic music, ballet, and opera. His compositions have been commissioned by major North American orchestras and ensembles, and his works are performed throughout the world. OBF 2026 presents the world premiere of his Friendship Songs (July 1) and the West Coast premiere of his American Indian Symphony (July 2). Enjoy complimentary coffee and pastries! Livestream available.
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
JUST ADDED! Join the Grammy Award-winning Los Angeles Children’s Chorus in concert with the Stangeland Family Youth Choral Academy. FREE and open to the public!
7:30 p.m.
America is a land of many traditions, cultures, and voices that merge to create something entirely new. OBF and Chamber Music Northwest honor our country's incredibly diverse musical heritage and rich tapestry of traditions by weaving Dvořák’s ‘American’ Quintet with groundbreaking works by the innovative Henry Cowell and American Indian composer, Jerod Impichchaachaaha' Tate.
Tate: Pisachi (Reveal) Cowell: Set of Five Dvořák: ‘American’ Quintet
Presented in collaboration with Chamber Music Northwest.
Artists, dates, times, repertoire, and venues are subject to change.
July 2026
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
The Grammy-winning vocal ensemble, dedicated to reimagining the potential of the human voice, presents Songs of Friendship: Stone, Water, and Skin. By engaging collaboratively with artists, thinkers, and community leaders from around the world, the group uplifts and amplifies voices—old and new—while creating and performing meaningful and adventurous music.
Lanzilotti: On stochastic wave behavior Ortiz: Canta la Piedra-Tetluikan (A Song of the Stone) Traditional: Chickasaw Songs Tate: Ittinkana' Taloowa' (Friendship Songs) - World Premiere
Artists, dates, times, repertoire, and venues are subject to change.
Free solo performances from members of the festival’s flagship education program.
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
Free solo performances from members of the festival’s flagship education program.
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Journey across America with two powerful musical visions. Dvořák’s beloved 'New World' Symphony captures the excitement and yearning of a land of promise. Inspired by American landscapes and folk tunes, it blends soaring melodies and lush orchestration—painting a majestic musical portrait of discovery and enduring spirit. The profound and nostalgic work is paired with OBF 2026 composer-in-residence Jerod Impichchaachaaha' Tate’s American Indian Symphony—a vivid, contemporary work shaped by indigenous stories and musical traditions in six different languages. Conducted by OBF artistic partner, Ken-David Masur.
Dvořák: 'New World' Symphony Tate: American Indian Symphony - West Coast Premiere
OBF Chorus UO Chamber Choir OBF Modern Orchestra Kirsten Kunkle, soprano Javier Arrey, baritone Ken-David Masur, conductor
Artists, dates, times, repertoire, and venues are subject to change.
10:00 a.m.
A sunny, summer morning of duets from Dan Tepfer, “one of the moment's most adventurous and relevant musicians,” (New York Magazine) and the “blindingly impressive” (New York Times) Emi Ferguson. Includes works from J.S. Bach and Italian priest, Francesco Antonio Bonporti, who influenced Bach’s 15 Inventions. Enjoy complimentary coffee and pastries!
Bonporti: Invention No. 8 J.S. Bach/Ferguson: Partita, recomposed J.S. Bach/Tepfer: Major Key Selections from Inventions / Reinventions
Emi Ferguson, flute Dan Tepfer, clavichord
Artists, dates, times, repertoire, and venues are subject to change.
noon
A sunny, early afternoon of duets from Dan Tepfer, “one of the moment’s most adventurous and relevant musicians,” (New York Magazine) and the “blindingly impressive” (New York Times) Emi Ferguson. Includes works from J.S. Bach and Italian priest, Francesco Antonio Bonporti, who influenced Bach’s 15 Inventions. Enjoy complimentary coffee and pastries!
Bonporti: Invention No. 6 J.S. Bach/Ferguson: Sonata in C Major, recomposed J.S. Bach/Tepfer: Minor Key Selections from Inventions / Reinventions
Emi Ferguson, flute Dan Tepfer, clavichord
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
A free concert from members of the elite Berwick Academy for Historically Informed Performance.
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
1:30 p.m.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
DUCKS DAY at OBF!
Show your Oregon pride! Wear your favorite UO apparel to the concert! Enjoy free duck-shaped Euphoria chocolates and shaved ice from Kona Ice, win Duck Store giveaways, pickup OBF swag, and much more!
As the University of Oregon celebrates its 150th anniversary, OBF draws a vibrant line across centuries and continents to another great community of learning: the university town of Leipzig. Bach composed many of his most spirited secular works, including ‘The Contest between Phoebus and Pan’ and Vereinigte Zwietracht der wechselnden Saiten while immersing himself in the Collegium Musicum gatherings, local coffee houses, and rich intellectual academic life that shaped Leipzig. In bringing these two cantatas to the stage—full of wit, virtuosity, and musical pageantry—OBF honors Bach’s deep connection to university culture and UO’s legacy as a place where arts and scholarship flourish. Conducted by OBF artistic partner, Jos van Veldhoven.
J.S. Bach: Cantata 201: “The Contest between Phoebus and Pan” J.S. Bach: Cantata 207: Vereinigte Zwietracht der wechselnden Saiten
Berwick Academy Orchestra Ilse Eerens, soprano (Momus/Happiness) Carley Defranco, soprano Sylvia Leith, alto (Mercury/Gratitude) Julian Habermann, tenor (Midas/Diligence) Steven Soph, tenor (Tmolus) Tobias Berndt, bass (Phoebus/Honor) Edmund Milly, bass (Pan) Jos van Veldhoven, conductor
The July 6 performance at Kaul Auditorium is ticketed by Chamber Music Northwest. OBF and the Hult Center do not offer tickets to that event.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
OBF invites you into the restless mind of history’s greatest polymath. Through vivid musical invention and stunning video projection, we trace Leonardo’s sketches, obsessions, and experiments—where art, science, and imagination collide—revealing creativity as an act of perpetual curiosity and daring discovery. The evening celebrates the legacy of longtime OBF Chorus Director, Kathy Saltzman Romey.
J.S. Bach: Motet 225: Singet dem Herrn ein neues Lied J.S. Bach: Cantata 147: Chorale: Jesus bleibet meine Freude Nystedt: Immortal Bach Hagen: The Notebooks of Leonardo da Vinci
OBF Chorus OBF Modern Orchestra Tim Takach, projection Kathy Saltzman Romey, conductor
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Modeled on Felix Mendelssohn’s visionary concert of 1840, Grammy-winner Paul Jacobs offers an immersive journey, placing the organ music of J.S. Bach in the starring role. Showcasing Bach’s range from monumental architecture to intimate expression, each work presents Bach as vivid, daring, and endlessly transformative.
J.S. Bach: Prelude and Fugue, 'St. Anne' J.S. Bach: Chorale-Prelude: Schmücke dich, o liebe Seele J.S. Bach: Prelude and Fugue in A Minor J.S. Bach: Passacaglia and Fugue in C Minor J.S. Bach: Pastorella in F Major J.S. Bach: Toccata and Fugue in D Minor
Paul Jacobs, organ
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
For nearly 30 years, Stangeland Family Youth Choral Academy has been a flagship educational and training program for the nation’s most talented high school choral singers. Led by Dr. Anton Armstrong, SFYCA 2026 performs various works including the J.S. Bach Motet, Lobet den Herrn, alle Heiden.
Smith: The Star-Spangled Banner J.S. Bach: Motet 230: Lobet den Herrn, alle Heiden Thompson: The Last Words of David Traditional: God Is Seen R. Powell: With What Shall I Come? Miller: Love Has Broken Down the Wall Trenney: God Wouldn't Bring You This Far to Leave You Royal Canoe: Walk Out on the Water Hagenberg: O Love Aspaas: We the People Berlin: Give Me Your Tired, Your Poor Valverde: When Thunder Comes Schneckenburger: Hope Lingers On Thomas: I Hear America Singing
Stangeland Family Youth Choral Academy Sarah Kwak, violin TBD, violoncello Philip Biedenbender, piano and organ Tim Cogswell, percussion Anton Armstrong, conductor Therees Tkach Hibbard, conductor
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
A free, pre-concert talk with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Immerse yourself in the forces of nature, human ingenuity, and the elemental building blocks of creation. Listen as Jean-Féry Rebel conjures earth, air, fire, and water, and as Telemann’s musical brilliance flows with shimmering aquatic energy. Bach’s Concerto for Two Violins and Orchestral Suite No. 4 blend expert craftsmanship with the life, motion, imagination, and wonder at the heart of creation itself.
Rebel: The Elements Telemann: 'Water Music' J.S. Bach: Concerto for Two Violins W.F. Bach: Sinfonia in F Major, 'Dissonant' J.S. Bach: Orchestral Suite No. 4
OBF Baroque Orchestra Marc Destrubé, violin Augusta McKay Lodge, conductor and violin
Artists, dates, times, repertoire, and venues are subject to change.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
6:30 p.m.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Conductors Gemma New and Anton Armstrong combine forces for a thrilling expedition through contemporary American music. The evening includes Gershwin’s iconic Rhapsody in Blue, featuring pianist Conrad Tao – “[a] magician at the keyboard” (The Boston Globe) – as well as Margaret Bonds’ profound and moving Credo, the third iteration of the OBF New Bach Transcriptions Project, and a multimedia performance of selections from Aaron Copland’s Appalachian Spring and The Tender Land suites.
J.S Bach/Tao: OBF New Transcriptions Project, Year 3 Gershwin: Rhapsody in Blue Bonds: Credo Copland: Appalachian Spring Suite (abridged) and “The Promise of Living” with National Park Suite visual concerto
OBF Chorus UO Chamber Choir OBF Modern Orchestra Conrad Tao, piano Nicole Joseph, soprano Carl DuPont, baritone Nicholas Bardonnay, photographer & multimedia artist Anton Armstrong, conductor Gemma New, conductor
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
An afternoon of free music celebrating the 50th anniversary of the acclaimed Brombaugh organ.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
Three internationally acclaimed vocal soloists bring OBF audiences a night of discovery and expression. Experience an intimate liederabend concert, featuring a rich mix of art songs, where each performance celebrates the transformative power and endless creativity at the heart of musical storytelling.
Ilse Eerens, soprano Julian Habermann, tenor Tobias Berndt, bass David Riley, piano
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
A culminating performance from the highly skilled participants of the OBF Organ Institute.
Artists, dates, times, repertoire, and venues are subject to change.
7:30 p.m.
The Grammy Award-winning mandolinist, singer, songwriter, composer, and MacArthur “Genius” Grant Fellow returns to OBF with selections from his acclaimed solo recordings of Bach’s Sonatas and Partitas—including the second volume out now—alongside his signature post-genre blend of compositional rigor, folksy stagecraft, and improvisational brilliance. An electrifying evening of Baroque architecture meeting modern imagination, precision, and fearlessness. Thile is a founding member of the highly influential string bands Punch Brothers and Nickel Creek, and has collaborated with luminaries from Yo-Yo Ma to Fiona Apple. For four years, Thile hosted radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion).
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
1:30 p.m.
A free, pre-concert chat and lecture with OBF guest artists.
Artists, dates, times, repertoire, and venues are subject to change.
2:30 p.m.
OBF closes its season with a breathtaking finale: Haydn’s The Creation, a luminous masterpiece that captures the wonder, mystery, and joy of a world being born. From the hushed opening chaos to the blazing, iconic C-major explosion when the chorus proclaims “Light!”, this is music that startles, dazzles, and uplifts more than two centuries after its premiere. Join a celebration of the beauty of nature, the power of human imagination, and the radiant artistry that defines Oregon Bach Festival. Conducted by OBF artistic partner, Jos van Veldhoven.
OBF Chorus OBF Classical Orchestra Ilse Eerens, soprano (Gabriel/Eve) Julian Habermann, tenor (Uriel) Tobias Berndt, bass (Raphael/Adam) Jos van Veldhoven, conductor
Artists, dates, times, repertoire, and venues are subject to change.
September 2026
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
9:00–11:00 a.m.
All new and returning Music GEs are required to attend the meeting. Featuring introductions from select SOMD staff and a visit from the GTFF.
1:00–3:00 p.m.
All new graduate students who will be a Graduate Employee assigned to teach in the Keyboard Lab (FMB 111) during the 2026-27 Academic Year are required to attend the meeting. Returning Graduate students who previously held GEs in AY 25-26 and who taught in the Keyboard Lab are not required to attend.
This orientation will cover the "house rules" required for this specialized classroom and the technology within.
1:00–3:00 p.m.
All new and returning students who have a GE in Secondary Piano and/or will be working as an instructor for CMI's Suzuki Piano Program during the 2026-27 academic year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–2:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
1:00–3:00 p.m.
All new and returning graduate students who will be a Graduate Employee in this area during the 2026-27 Academic Year are required to attend the meeting.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
The Music Theory Entrace Exam will be available online starting Sunday 9/20/26 at 8:00 a.m. through Tuesday 9/22/26 at noon.
*Students will be added to the Canvas page by July 31. Be sure to check your email for a notification about this!
9:00–11:00 a.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
1:00–2:00 p.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
For Aural Skills, students will attend an in-person Dictation exam, followed by individual appointments for the Sight-Singing exam.
1:00–3:30 p.m.
Jazz transfer placement auditions and a theory advisory exam may be needed for incoming jazz studies majors with previous college-level jazz experience.
Visit the UO Jazz Website for more information.
Please reach out to Paul Krueger at kruegerp@uoregon.edu if you have any questions.
2:00–4:00 p.m.
The Graduate Entrance Exams (GEE) in Music Theory, Aural Skills and History are mandatory for incoming music graduate students.
(NOTE: Students who are awarded a Graduate Employee (GE) position in music theory are exempt from the Music Theory & Aural Skills portion of the GEE.)
Passing the GEE determines eligibility for graduate-level music history and theory courses.
Please visit https://musicanddance.uoregon.edu/graduate-students-week-welcome for more information, including GEE study guides.
For Aural Skills, students will attend an in-person Dictation exam, followed by individual appointments for the Sight-Singing exam.
All new graduate students in Jazz Music are required to attend the meeting.
4:00–5:00 p.m.
All new graduate students in Jazz Music are required to attend the meeting.
10:00–11:30 a.m.
For Music Doctoral Students (PhD and DMA).
All incoming graduate students are required to attend their assigned Orientation and Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
2:00–3:30 p.m.
For Master’s Students in Music Performance, Jazz Studies, Conducting, and Graduate Performance Certificate.
All incoming graduate students are required to attend their assigned Orientation & Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
3:00–5:30 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
6:30–8:30 p.m.
JazzArts Oregon Combo Auditions The JazzArts Oregon Combo is a small group of student musicians representing the University of Oregon’s Jazz Studies Program in concerts throughout the region. Ensemble members are chosen annually in a separate audition prior to the fall term of each school year. The group is open to students of any major. Auditions are held in a group format and judged by a faculty panel.
The Herbert T. Merker Scholarship Endowment A scholarship fund has generously been established by Herb Merker to support the JazzArts Oregon Combo. Herbert T. Merker Jazz Combo Scholarship recipients will comprise the group for the duration of their award year with each receiving a scholarship of app. $1,000 for the academic year. Recipients will be notified before the beginning of fall term.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
All new undergraduate Music majors are required to attend the orientation, led by Music Undergraduate Advisor, Beverly Tafflinger.
9:00–10:00 a.m.
All new undergraduate Music majors are required to attend the orientation, led by Music Undergraduate Advisor, Beverly Tafflinger.
9:30–10:50 a.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
9:30–11:00 a.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
10:00–11:30 a.m.
For Master’s Students in Musicology, Music Theory, Music Education, Music Composition, and Intermedia Music Technology.
All incoming graduate students are required to attend their assigned Orientation and Academic Advising session. During this session, we will build your class schedule, register for classes, and make sample schedules.
10:30 a.m.–5:00 p.m.
Auditions for the 2026-27 academic year for University Singers and UO Chamber Choir. Auditions are scheduled over three days; interested students need only to sign up for one audition slot. All UO students are welcome in any of our choirs. We have choirs appropriate for all experience levels, from people who have sung in a choir for many years, to people who would like to join a choir for the first time.
Please note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:20 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the fall only, and members commit for the entire year. Repertoire Singers (T/TH 3:00 PM-3:50 PM) will accept new members each term.
If you are interested in auditioning for choir but are unable to sign up for a Week of Welcome audition, please come to the first day of whichever choir you are interested in joining and we will arrange your audition at that time. If you have any questions, please contact Dr. Paul at sjpaul@uoregon.edu.
WHAT TO PREPARE
Please have one song prepared – it can be an art song, aria, folk song, or musical theater piece. A pianist will be provided for you. You will also be asked to perform brief exercises that assess your range, aural skills, and music literacy level.
FIRST DAY OF EACH CHOIR
Chamber Choir: Monday, September 28: 2:00 PM-2:50 PM, Frohnmayer Music Building Room 163 Repertoire Singers: Tuesday, September 29: 3:00 PM-3:50 PM, Frohnmayer Music Building Room 163 University Singers: Monday, September 28: 11:00 AM-11:50 AM, Frohnmayer Music Building Room 163
QUESTIONS
Dr. Sharon J. Paul at sjpaul@uoregon.edu for questions about Chamber Choir or Repertoire Singers Dr. Melissa Brunkan at mbrunkan@uoregon.edu for questions about University Singers If you have general questions about the choirs, please feel free to contact either of us!
11:00 a.m.–12:10 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
All new undergraduate Jazz Studies majors are required to attend this meeting, led by Director of Jazz Studies, Paul Krueger
11:30 a.m.–12:30 p.m.
All new undergraduate Jazz Studies majors are required to attend this meeting, led by Director of Jazz Studies, Paul Krueger
noon
For details about what to prepare, or general questions, please contact Dr. Alexandre Dossin.
1:00–2:30 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
1:00–2:00 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
All new and returning graduate students in Music Education are required to attend the meeting, led by Music Education faculty.
1:00–2:00 p.m.
All new and returning graduate students in Music Education are required to attend the meeting, led by Music Education faculty.
2:00–3:00 p.m.
All new and returning undergraduate Music Education majors are required to attend the meeting.
Get to know your cohort, meet Music Education faculty, and learn about NAfME (National Association for Music Education) from current members.
2:30–5:00 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the Fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
2:40–3:55 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
4:00–6:00 p.m.
The University Opera Ensemble is open to all members of the university community by audition only. All SOMD music majors must have their studio teacher's permission to participate.
SIGN UP FOR AN AUDITION
WHAT TO PREPARE
- Fill out an Audition Information sheet (will be provided at audition).
- Bring a resumé and headshot, if you have one.
- One aria performed by memory and sung in French/Italian/German/Spanish.
ADDITIONAL INFORMATION
- A pianist will be provided.
- Rehearsals and coachings can be arranged with Dr. Gustavo Castro the week before and the week of Week of Welcome. Contact Dr. Castro at gcastro@uoregon.edu.
- Send Dr. Gustavo Castro any questions you may have at gcastro@uoregon.edu.
4:05–5:20 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
6:00–7:30 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
6:00–9:00 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
8:30–10:00 a.m.
Studio placement auditions are required for all new and returning students who will register for MUP Percussion lessons during the 2026-27 academic year. Studio placement auditions for percussion will coincide with ensemble auditions for that instrument.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
9:00 a.m.–12:00 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
10:00 a.m.–5:00 p.m.
Auditions for the 2026-27 academic year for University Singers and UO Chamber Choir. Auditions are scheduled over three days; interested students need only to sign up for one audition slot. All UO students are welcome in any of our choirs. We have choirs appropriate for all experience levels, from people who have sung in a choir for many years, to people who would like to join a choir for the first time.
Please note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:20 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the fall only, and members commit for the entire year. Repertoire Singers (T/TH 3:00 PM-3:50 PM) will accept new members each term.
If you are interested in auditioning for choir but are unable to sign up for a Week of Welcome audition, please come to the first day of whichever choir you are interested in joining and we will arrange your audition at that time. If you have any questions, please contact Dr. Paul at sjpaul@uoregon.edu.
WHAT TO PREPARE
Please have one song prepared – it can be an art song, aria, folk song, or musical theater piece. A pianist will be provided for you. You will also be asked to perform brief exercises that assess your range, aural skills, and music literacy level.
FIRST DAY OF EACH CHOIR
Chamber Choir: Monday, September 28: 2:00 PM-2:50 PM, Frohnmayer Music Building Room 163 Repertoire Singers: Tuesday, September 29: 3:00 PM-3:50 PM, Frohnmayer Music Building Room 163 University Singers: Monday, September 28: 11:00 AM-11:50 AM, Frohnmayer Music Building Room 163
QUESTIONS
Dr. Sharon J. Paul at sjpaul@uoregon.edu for questions about Chamber Choir or Repertoire Singers Dr. Melissa Brunkan at mbrunkan@uoregon.edu for questions about University Singers If you have general questions about the choirs, please feel free to contact either of us!
10:00 a.m.–12:00 p.m.
REQUIRED FOR TRANSFER STUDENTS; Optional for freshmen wishing to test out of Music Theory sequence courses.
10:10–11:40 a.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
11:50 a.m.–12:50 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
noon
REQUIRED FOR TRANSFER STUDENTS; Optional for freshmen wishing to test out of Aural Skills sequence courses.
To be paired with the Aural Skills sight singing exam.
12:30–4:00 p.m.
UO jazz ensembles (Big Bands, Combos, Latin Jazz Ensemble, Jazz Guitar Ensemble) are open to all University of Oregon students (including part-time and Continuing Education students) by audition, regardless of major.
Auditions for the UO jazz ensembles are held during Week of Welcome each fall. A single audition is used to place students in Big Bands, Combos, Latin, and Guitar ensembles. Students auditioning for these ensembles in the fall term need not re-audition in winter or spring terms.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Professor Paul Krueger, Director of Jazz Studies, is your contact for questions, kruegerp@uoregon.edu
1:00–4:30 p.m.
Auditions required for BMME Choral, BM Voice, BA/BS Applied Study: Voice, MM Voice, MM Choral Conducting, DMA Voice and all voice scholarship recipients.
Sign up for an audition time here. Singers will need a UO DuckID to complete the signup form.
Please plan to present one (1) selection. It can be one of the pieces you sang for your SOMD audition, or something new. Here are some general guidelines:
UNDERGRADUATE: A classical piece in English, Italian, French, Spanish or German. GRADUATE: An art song (Lied, mélodie, etc.), or an aria from an opera or oratorio.
Memorization is required, except for selections from the oratorio repertoire. An accompanist will be provided.
1:00–3:00 p.m.
REQUIRED FOR TRANSFER STUDENTS; Optional for freshmen wishing to test out of Aural Skills sequence courses.
To be paired with the written Aural Skills dictation exam. Students will sign up for an individual appointment during the time listed for the sight singing exam portion.
2:00–3:10 p.m.
Auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Dennis Llinas is your contact for questions, dllinas@uoregon.edu
noon
Ensemble auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Jacobs is your contact for questions, djacobs@uoregon.edu
noon
Auditions for the 2026-27 academic year for University Singers and UO Chamber Choir. Auditions are scheduled over three days; interested students need only to sign up for one audition slot. All UO students are welcome in any of our choirs. We have choirs appropriate for all experience levels, from people who have sung in a choir for many years, to people who would like to join a choir for the first time.
Please note that Chamber Choir (M/W 2:00 PM-2:50 PM & T/TH 12:00 PM-1:20 PM) and University Singers (MWF 11:00 AM-11:50 AM) audition in the fall only, and members commit for the entire year. Repertoire Singers (T/TH 3:00 PM-3:50 PM) will accept new members each term.
If you are interested in auditioning for choir but are unable to sign up for a Week of Welcome audition, please come to the first day of whichever choir you are interested in joining and we will arrange your audition at that time. If you have any questions, please contact Dr. Paul at sjpaul@uoregon.edu.
WHAT TO PREPARE
Please have one song prepared – it can be an art song, aria, folk song, or musical theater piece. A pianist will be provided for you. You will also be asked to perform brief exercises that assess your range, aural skills, and music literacy level.
FIRST DAY OF EACH CHOIR
Chamber Choir: Monday, September 28: 2:00 PM-2:50 PM, Frohnmayer Music Building Room 163 Repertoire Singers: Tuesday, Septemner 29: 3:00 PM-3:50 PM, Frohnmayer Music Building Room 163 University Singers: Monday, September 28: 11:00 AM-11:50 AM, Frohnmayer Music Building Room 163
QUESTIONS
Dr. Sharon J. Paul at sjpaul@uoregon.edu for questions about Chamber Choir or Repertoire Singers Dr. Melissa Brunkan at mbrunkan@uoregon.edu for questions about University Singers If you have general questions about the choirs, please feel free to contact either of us!
1:00–5:00 p.m.
Ensemble auditions for the 2026-27 academic year are open to students from all majors. Personnel for the various orchestras, bands, and wind ensembles will be formed from these auditions. Participation in the Symphony Orchestra, Wind Ensemble, and Symphonic Band requires in-person auditions. Participation in Campus Band and Campus Orchestra does not require an audition.
Please visit the ensemble website for audition information, including excerpts (available August 1st) and sign-ups.
Dr. Jacobs is your contact for questions, djacobs@uoregon.edu