Research Interests: Music Performance, Keyboard, Jazz Studies, Applied Popular Music
Toby Koenigsberg received his Master of Music degree in jazz and contemporary media from the Eastman School of Music and pursued graduate study in classical piano at the Peabody Conservatory. His undergraduate degree is from the University of Oregon, where he is now assistant professor of jazz piano and associate director of jazz studies.
Koenigsberg has performed in New York, New Jersey, Pennsylvania, California, Nevada, Texas, Wisconsin, Iowa, Minnesota, Oregon, Washington, and Puerto Rico; in Barrie, Ontario, and Calgary, Alberta, in Canada; in Paris, France; in London, England; in Helsinki and Järvenpää, Finland; and in Kawanoe Chuo City, Japan. He has performed with Marian McPartland, Rich Perry, Ron Miles, Ben Monder, Bill Holman, Eddie Gomez, and others. He tours regularly, performing at the Rochester International Jazz Festival, Jazz Festival Calgary, the Tony Williams Jazz Festival, the Portland Jazz Festival, the Royal Academy of Music, the Knitting Factory in New York City, and elsewhere.
His most recent CD, Sense (Origin Records), garnered praise from Cadence, the All Music Guide, All About Jazz – New York, and other publications, and has received airplay on dozens of radio stations throughout the United States and internationally. His first CD, Push, features the great saxophonist Rich Perry. Koenigsberg has been honored by the National Foundation for Advancement in the Arts, and while attending the Eastman School of Music he received the Schirmer Award, given to the most outstanding graduate jazz performer in a graduating class.
In addition to performing, Koenigsberg has written numerous works for small and large jazz ensembles and for studio orchestra. Downbeat magazine awarded his composition “Song for Aki” Best Original Song in its 2003 Student Music Awards.
Koenigsberg is also active in jazz scholarship and pedagogy. He is published by the Jazz Education Journal, the official publication of the International Association for Jazz Education (IAJE), and by JazzED—the Jazz Educator’s Magazine. He has given research presentations on the music of Bud Powell and Herbie Hancock at the 2005 annual conference of the IAJE, the Eastman School of Music, The Royal Academy of Music, Jazz Festival Calgary, and at universities throughout the United States.
MMus 2003, Jazz and Contemporary media, Eastman School of Music